"instead of taking the myth out of romantic postcards, he puts a lot more in. Instead of cutting the dreamscape down to size, he ups the ante all the way to a cosmic extravaganza that is at once joyously funny, deeply disorienting and dizzyingly rapturous."
IRISH NEWS:
"puts the past, the present, and the future, at our fingertips and reflects how we are changing.."
Seamus Heaney, Nobel Laureate:
"I'm so at home with them, I'd like to sign 'S.H.' under each one, but it has been done already.."
CIRCA Art Journal:
"an artist with what Heaney called 'a power to open unexpected and enedited communications between our nature and the nature of the world we inhabit.' "
IN DUBLIN magazine:
" 'the map is not the place' seems dimished by Hillen's contra-assertion that the place is not the place either.."
Sunday Times Ireland:
"Deep in the abyss of Sean Hillen's soul rests IRELANTIS; an imaginary Ireland bigger than anything the Department of Arts & Culture could invent.."
Fintan O'Toole IRISH TIMES:
"instead of taking the myth out of romantic postcards, he puts a lot more in. Instead of cutting the dreamscape down to size, he ups the ante all the way to a cosmic extravaganza that is at once joyously funny, deeply disorienting and dizzyingly rapturous."
IRISH NEWS:
"puts the past, the present, and the future, at our fingertips and reflects how we are changing.."
Seamus Heaney, Nobel Laureate:
"I'm so at home with them, I'd like to sign 'S.H.' under each one, but it has been done already.."
CIRCA Art Journal:
"an artist with what Heaney called 'a power to open unexpected and enedited communications between our nature and the nature of the world we inhabit.' "
IN DUBLIN magazine:
" 'the map is not the place' seems dimished by Hillen's contra-assertion that the place is not the place either.."
Sunday Times Ireland:
"Deep in the abyss of Sean Hillen's soul rests IRELANTIS; an imaginary Ireland bigger than anything the Department of Arts & Culture could invent.."
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